Pages

Wednesday, April 24, 2013

Esala Perahera


Elephants at the Esala Perahera
Esala Perahera (the festival of the tooth) is the grand festival of Esala held in Sri Lanka. It is very grand with elegant costumes. Happening in July or August in Kandy, it has become a unique symbol of Sri Lanka. It is a Buddhist festival consisting of dances and nicely decorated elephants. There are fire-dances, whip-dances, Kandyan dances and various other cultural dances. The elephants are usually adorned with lavish garments. The festival ends with the traditional 'diya-kepeema'.

History

The Esala believed to be a fusion of two separate but interconnected "Peraheras" (Processions) – The Esala and Dalada. The Esala Perahera which is thought to date back to the 3rd century BC, was a ritual enacted to request the gods for rainfall. The Dalada Perahera is believed to have begun when the Sacred Tooth Relic of the Buddha was brought to Sri Lanka from India during the 4th century B.C.
According to tradition, the Tooth Relic was taken in procession to Sri Lanka by Princess Hemamala & Prince Dantha.

Modern Perahera

Esala Perehera festival, around 1885
The Modern Perahera dates back to the reign of the Kandyan King Kirthi Sri Rajasinghe (1747–1781). During these times, the Tooth Relic was considered private property of the King and the public never got a chance to worship it. However, King Rajasinghe decreed that the Relic be taken in procession for the masses to see and venerate.

After the Kandyan Kingdom fell to the British in 1815, the custody of the Relic was handed over to the Maha Sanga (the Buddhist Clergy). In the absence of the king, a lay custodian called the "Diyawadana Nilame" was appointed to handle routine administrative matters.

The Procession

The Kandy Esala Perahera begins with the Kap Situveema or Kappa, in which a sanctified young Jackfruit tree (Artocarpus integrifolia) is cut and planted in the premises of each of the four Devales dedicated to the four guardian gods Natha, Vishnu, Katharagama and the goddess Pattini. Traditionally it was meant to shower blessing on the King and the people.



Dancers at the Esala Perahera

The Kumbal Perahera

For the next five nights, the "Devale Peraheras" take place within the premises of the four Devales with the priest of each Devale taking the pole every evening, accompanied by music and drumming, flag and canopy bearers, spearman and the Ran Ayudha, the sacred insignia of the Gods.
On the sixth night, the Kumbal Perahera begins and continues on for five days. Initially, the Devale Peraheras assemble in front of the Temple of the Tooth, which is Sri Lanka's most important Buddhist Shrine and where the Buddha’s Sacred Tooth Relic has been kept since the 16th Century) with their insignias placed on the ransivige (a dome-like structure) accompanied by the Basnayake Nilames (the lay custodians of the Devales).

The relic casket, which is a substitute for the Tooth Relic, is placed inside the ransivige affixed to the Maligawa Elephant, a the Maligawa Perahera joins the awaiting Devale Peraheras and leads the procession. Whip-crackers and fireball acrobats clear the path, followed by the Buddhist flag bearers. Then, riding on the first elephant, is the official called Peramuna Rala (Front Official). He is followed by Kandyan Drummers and Dancers who enthrall the crowd, and are themselves followed by elephants and other groups of musicians, dancers and flag bearers. A group of singers dressed in white heralds the arrival of the Maligawa Tusker carrying the Sacred Tooth Relic. The Diyawadana Nilame (traditionally required to do everything in his power to ensure rain in the correct season) walks in traditional Kandyan-clothed splendor after the tusker.

The second procession is from the Natha Devale, which faces the Sri Dalada Maligawa and is said to be the oldest building in Kandy, dating back to the 14th Century.

The third is from the Vishnu Devale (Vishnu being a Hindu god), also known as the Maha Devale. It is situated in front of the main gate of the Natha Devale.

The fourth procession is from the Katharagama Devale (dedicated to the God of Katharagama, identified with the warrior god Skanda) which is on Kottugodalle Vidiya (a street in Kandy). This procession includes Kavadi, the peacock dance, in which the pilgrim-dances carry semicircular wooden contraptions studded with peacock feathers on their shoulders.

The fifth and final procession is from the Pattini Devale (Pattini being a goddess associated with the cure of infectious diseases and called upon in times of drought and famine), which is situated to the West of the Natha Devale. This is the only procession that has women dances.
The following important times are announced by the firing of cannonballs, which can be heard all across Kandy.
  1. The commencement of the Devale Peraheras
  2. The placing of the casket on the tuskers back
  3. The commencement of the Dalada Perahera
  4. The completion of the Perahera

The Randoli Perahera

The Randoli Perahera begins after five nights of the Kumbal Perahera. Randoli refers to palanquins on which the Queens of the ruling Kings traditionally traveled.

Diya Kepeema and the Day Perahera

After a further five nights of the Randoli Perahera, the pageant ends with the Diya Kepeema, which is the water cutting ceremony at the Mahaweli River at Getambe, a town a few miles from Kandy. A Day Perahera is held to mark the ceremony.

Organization of the Perahera

The rituals connected with the Tooth Relic are conducted by Monks of the Malwatte and Asgiriya Chapters of the Buddhist clergy in Sri Lanka. It is the duty of the Diyawadana Nilame to organize the Perahera and thus he summons the large number of officials of the Temple of the Tooth and entrusts them with various ceremonial duties connected with the conducting of the Perahera. He first gets the auspicious time from the Nekath Mohottala, the advisor on astrological matters. The task of organising the different types of drummers is handed over to the four officials known as the Panikka Mura Baarakaruwo.
The Maligawa officials also meet the owners of the elephants due to take part in the Perahera (most elephants are privately owned). The dance troupes are given time to prepare. The Basnayake Nilames (the lay custodians of the Devales) are then told to organise their processions.

Parakramabahu I


Parākramabāhu I (Parakramabahu the Great)

King of Polonnaruwa
Statue of Parakramabahu in Polonnaruwa.jpg

The statue in Polonnaruwa traditionally held to be of Parākramabāhu the Great
Reign 1153–1186
Born 1123
Birthplace Punkhagama
Died 1186
Place of death Polonnaruwa
Predecessor Gajabahu II
Successor Vijayabâhu II
Consort Queen Lilavati
Royal House Polonnaruwa Kingdom
Father King Manabharana
Mother Queen Ratnavali

Parākramabāhu I (Sinhala: මහා පරාක්‍රමබාහු Maha Parākramabāhu (Parākramabāhu the Great); 1123–1186) was king of Sri Lanka from 1153 to 1186. During his reign from his capital Polonnaruwa, he unified the three sub kingdoms of the island, becoming one of the last monarchs in Sri Lankan history to do so. He oversaw the expansion and beautification of his capital, constructed extensive irrigation systems, reorganized the country's army, reformed Buddhist practices, encouraged the arts and undertook military campaigns in southern India and in Myanmar. The adage "not even a little water that comes from the rain must flow into the ocean without being made useful to man" is one of his most famous utterances.
Parākramabāhu spent much of his youth in the courts of his uncles Kitti Sri Megha and Sri Vallabha, the kings of the principalities of Dakkhinadesa and Ruhuna respectively, as well as in the court of the King of Rajarata, Gajabahu II. He succeeded his uncle Kitti as king of Dakkhinadesa around 1140 and over the next decade improved both Dakkhinadesa's infrastructure and military. Following a protracted civil war, he secured power over the entire island around 1153 and remained in this position until his death in 1186. During Parākramabāhu's reign, he launched a punitive campaign against the kings of Myanmar, aided the Pandyas against the Chola Empire in southern India and maintained extensive trade relations with China and countries in the Middle East. Within the island, he consecrated religious monuments, built hospitals, social welfare units, canals and large reservoirs, such as the Sea of Parakrama.

Background

Early 12th century

The island of Sri Lanka was in part dominated by the powerful Chola polity of South India, following Raja Raja Chola I's invasion of Sri Lanka in 993. These regions remained under Chola control until the reign of King Vijayabahu I (1055–1100). Vijayabahu I successfully drove the Chola invaders out at the beginning of his reign and shifted the capital of Rajarata from Anuradhapura to a new, planned city, Polonnaruwa (Pulatthinagara). By the reign of King Vikramabāhu I (1111–1132), the island was divided into three kingdoms—Rajarata, Dakkhinadesa, and Ruhuna. Vikramabāhu was however regarded as the greatest in dignity as he possessed Rajarata with its sites of religious and historical importance. However, Manabharana, king of Dakkhinadesa ("South Country"), and his brothers Sri Vallabha and Kitti Sri Megha, the joint kings of Ruhuna, were formidable rivals for the crown. Furthermore all three were the descendants of Vijayabahu's sister, and thus had a strong claim to the throne; they are referred to in the Culavamsa as the Arya branch of the royal dynasty, whilst Vikramabāhu I is of the Kalinga branch.

Birth

Extent of the Chola Empire on the eve of Vijayabahu I's rebellion
According to the ancient chronicle Culavamsa, Parākramabāhu's birth was predicted by a figure akin to a god seen in a dream by his father, King Manabharana of Dakkhinadesa.A son was duly born to Manabharana's wife Ratnavali, and was named Parākramabāhu because of his "foe-crushing arms".Though the year of his birth cannot be known exactly confirmed, it is generally thought to be around 1123.The location would almost certainly have been the capital of Dakkhinadesa, Punkhagama.
Upon being informed of the child's birth, Vikramabāhu I in Polonnaruwa ordered that the boy be brought up as the heir to his throne. This kind of adoption may have been an olive branch of sorts on the part of Vikramabāhu, who wished to keep the throne until his death, after which it would be passed on to Parākramabāhu. Manabharana, however, rejected the offer, stating that "It is not (prudent) ... to send away such a jewel of a son". He also speculated that "...if the boy is taken thither, the party of Vikkamabahu... will gleam with mighty, up-shooting flames, but our misfortune, alas so great, will become still worse!" The schism that existed between the royal clans of Sri Lanka was too deep to allow for this manner of accommodation.
Soon after the child's birth, Manabharana fell ill and died. His younger brother Kitti Sri Megha, who was joint king of Ruhuna, ascended the throne of Dakkhinadesa, while Sri Vallabha was declared sole king of Ruhuna. Parākramabāhu, his mother Ratnavali and his two sisters Mitta and Pabhavati, were sent to live in Mahanagahula, the capital of Ruhuna, under the care of Sri Vallabha.

Youth

In Ruhuna and Dakkhinadesa

The politics of Sri Lanka inevitably played a significant role in Parākramabāhu's upbringing. Whilst he was still young, his eldest sister Mitta was forcibly married to their cousin, Manabharana, the son of Sri Vallabha of Ruhuna, against the wishes of Queen Ratnavali. Ratnavali was herself of the Kalinga clan of the royal family, and though she was the widow of a king of the Arya branch of the royal family, she preferred to see her daughters married to a king from the Kalinga clan. During his time at Sri Vallabha's court, Parākramabāhu met his future mahesi (queen consort) Lilavati, Sri Vallabha's daughter, who following Parākramabāhu's death went on to rule the country in her own right.
In 1132, following the death of Vikramabāhu, Gajabahu II succeeded to the throne of Rajarata. Taking advantage of the new king's youth, the two monarchs of the Arya branch of the Royal family, Sri Vallabha and Kitti Sri Megha, tried unsuccessfully to seize Rajarata by force. Gajabahu established himself firmly as ruler and therefore nominally senior to the two Arya kings and neither Sri Vallabha nor Kitti Sri Megha would live to see the king of Rajarata dethroned.
After the end of the Arya-Kalinga civil war, Parākramabāhu left Sri Vallabha's palace in Ruhuna and returned to Sankhatthali, the new capital of Dakkhinadesa, where he took up residence with his uncle. The Culavamsa attributes the departure to his impatience and lack of stimulation in Ruhuna. It may also have been caused by Sri Vallabha's plans to place Manabharana of Ruhuna on the throne of Rajarata, which made Parākramabāhu's position increasingly precarious in court. In Dakkhinadesa, on the other hand, he was well received by Kitti Sri Megha, who had no sons of his own, where he was essentially adopted; the Culavamsa thereafter refers to Kitti as Parākramabāhu's father. During his time at Dakkhinadesa, he studied important works of Kautilya, and subjects such as grammar, literature, elephant-riding, martial arts, song and dance.

In Rajarata

Some time after his coming of age, the young prince left Dakkhinadesa in secrecy and set out for Gajabahu II's realm in Rajarata. Having met his allies at Badalattha (modern Batalagoda), he visited the Senapathi(commander) Sankha, on the border between Rajarata and Dakkhinadesa. When Sankha tried to inform Kitti Sri Megha of the prince's journey, Parākramabāhu had him killed. Sankha had been his guardian and Kitti Sri Megha described him as 'mightiest vassal in my kingdom', making the murder all the more serious. Parākramabāhu then seized Buddhagama (modern Menikdena Nuwara) and all of Sankha's property. He continued his journey, having evaded a force sent against him by Kitti Sri Megha, who feared complications with the court of Polonnaruwa, and traveled through the Malaya region to Gajabahu's court.

Few Sri Lankan kings built as many dagobas as Parākramabāhu.
The reasons for Parākramabāhu behavior are considered uncertain, but according to the Culavamsa, his journey was essentially one of reconnaissance. Although the three monarchs of the provinces were united, they all harbored the wish the govern the kingdom of Rajarata. At the time, however, it was suggested that none of them could take control of Rajarata, due to the limited resources available in their small provinces. Parakramabahu did not wish to believe this, and thus traveled to Rajarata to learn the conditions of the province himself.
The reason provided for Kitti Sri Megha's efforts to bring the prince back to Dakkhinadesa are presented as nothing more than concern for the well being of his nephew as well as concerns that Parākramabāhu may reignite hostilities between the Arya and Kalinga factions. However, that the king of Dakkhinadesa was "tenderly attached" to his nephew is regarded as "fiction", and it is pointed out that "the spirit in which the accounts of these conflicts are conceived is irreconcilable with the theory of untroubled relations between uncle and nephew."
During his time in Gajabahu’s court, the Parākramabāhu did two things of significance. The first was to enmesh the court of Gajabahu in a web of espionage and the other was to marry one of his sisters called Bhaddavati, to King Gajabahu. Through this marriage, and various other acts.

, Parākramabāhu managed matters that the ruler (Gajabahu I) completely trusted him, as much as he did the royal family. Nevertheless, he retained the entirety of Bhaddavati’s dowry for himself, and entered into secret negotiations with Gajabahu’s general Gokanna. Gajabahu eventually grew suspicious of Parākramabāhu’s activities, and Parākramabāhu departed Rajarata in secrecy by night and returned to Dakkhinadesa.

Return to Dakkhinadesa

In Dakkhinadesa, Parākramabāhu was reluctant to enter the capital Sankhatthali to see his uncle, King Kitti Sri Megha, until persuaded by his mother Ratnavali to do so. Kitti Sri Megha however died soon after Parākramabāhu's return and the Culavamsa notes that the prince "was not mastered by the agitation called forth by the grief at his father's (sic) death"—perhaps a sign of lingering ill feeling between the two. Parākramabāhu was now king of Dakkhinadesa.

King of Dakkhinadesa

Government

Parākramabāhu's objective for Dakkhinadesa was to expand it so that it would surpass the greatness of other kingdoms, in a short period of time. He started a huge program of construction and renovation, the remnants of which can still be seen in central Sri Lanka today. It is mentioned of him as having restored an ancient causeway called the Kotabaddha, over the Deduru Oya (Deduru Lake) near modern Kurunegala. The new king's personality was illustrated when the architects commissioned to the project informed him that it was well-nigh impossible to carry out, to which Parākramabāhu replied that "What is there in the world that cannot be carried out by people of energy?". He ordered the construction of canals and dams, and cleared a large area of forest around them for new fields. Most notably, he constructed the Parakrama Samudra (Sea of Parakrama), a giant reservoir from which a large swathe of territory derived its water supply. On islands in the middle of the reservoir he constructed a palace and a dagoba.

Ruins of the royal palace of Polonnaruwa, beautified during Parākramabāhu's reign
He transformed the royal court, making it a hub of cultural activity, attracting young nobles skilled in various arts such as riding elephants or horses, swordsmanship, in the use of foreign tongues and in dance and song. He reformed the government of Dakkhinadesa, creating two ministries; the military affairs and the internal administration to which he later added a third department, which oversaw the management of mines. Trade was an important component of Dakkhinadesa's income since the island of Sri Lanka, given its geographical position, had always been at the junction of several major trade routes. Chinese silk was a significant import and was used in the consecration of statues and shrines. Pearls and gems (of which the king took particular interest) constituted an important part of the island's exports, as did cinnamon (which remained, until the 19th century, Sri Lanka's major export), and war elephants. Most trade was carried out through the main seaports of the principality, Kalpitiya, Halaavatha (Chilaw) and Colombo.

Preparation for war

Parākramabāhu's army had a diverse ethnic make-up. Some of his officers were from the two grand old clans of Sri Lanka, the Moriya and the Lambakanna, who had between them dominated Rajarata from Anuradhapura. A group of Tamil soldiers from near Kurunegala also rallied to him, under a man styling himself the king of Malaya (modern Dumbara). By the time hostilities broke out between Dakkhinadesa and Rajarata, the former's forces also included Veddas, Cheras, and people from the lower castes not traditionally involved in martial activities. The Culavamsa places the number of soldiers at somewhere around 100,000 people, but the real figure was probably lower.[33] Parākramabāhu would have been able to field war elephants, cavalry, and siege engines, and his force represented a serious threat to Gajabahu's power in the north.

Conquest of Rajarata

War with Gajabahu

Around 1150, Parākramabāhu made his first move by seizing control of Malaya, strategically securing his eastern flank. He then moved his forces against various chieftains on the border of Rajarata. The final stage of this early campaign was the defeat of an army of Gajabahu himself, after which there was a brief ceasefire between the two sides.

A temple bearing a striking similarity to Khmer architecture, reflecting the ethnically varied populace of the country
Hostilities resumed soon afterwards. Gajabahu had resorted to securing support from abroad, and by the time hostilities resumed between him and Parākramabāhu, the army of Rajarata included nobles of heretical faith from abroad. Parākramabāhu himself did not participate in the invasion of Rajarata, but was responsible for the overall strategy of the campaign, which was based on the writings of Kautilya.
The forces of Dakkhinadesa struck at the fortress of Mallavalana near the mouth of the Kala Oya, seizing it and occupying the western coast of Sri Lanka. The army then sailed up to the north and landed at a place called Muttakara or Mutukara ('Pearl-mine') near modern Mannar. In the meantime, Gajabahu's senior general Gokanna suffered several defeats in the vicinity of Kala Vewa and was forced to appeal to the king of Rajarata for reinforcements. Despite receiving these and meeting with some success in Malaya, Gokanna was again defeated by Parākramabāhu's general Mahinda, a rout so total that Gokanna fled the battle scene leaving behind his umbrella, an important status symbol in medieval Sri Lanka. The remnants of his force constructed a fortress in a jungle and took no further part in the war.
By 1153, Parākramabāhu's forces were in a position to take Polonnaruwa. Rakkha and a junior general named Sukha inflicted another defeat on Gajabahu just 15 kilometres (9 mi) from the city, seizing the capital of Rajarata soon afterwards. The king and his two sons, Colaganga and Vikramabāhu, were imprisoned. Parākramabāhu was magnanimous in defeat, and laid out clear orders for the treatment of both the former king and the townspeople to his generals:
If the heads of districts and the officers, grown insolent by their victory in fight, slay the King (Gajabahu) whom they have captured, that is not right. And if they plunder the town and ill-treat the people and become unbridled, that is likewise not right. The gaining of the royal dignity takes place for the welfare of the order (Sangha) and the people alone, but not for the purpose of slaying... Therefore thou must go there, hold the unbridled in check, take the King under thy protection and make the town secure
However some members of Parākramabāhu's army are known to have disregarded his commands and broken open house doors in Polonnaruwa, plundered goods and stole raiment and ornaments from the people of the city.
The pillaging of Polonnaruwa was to have dire consequences for Parākramabāhu. Angered by the actions of the forces from Dakkhinadesa, the nobles and allies of Gajabahu—including his general Gokanna—appealed to Manabharana of Ruhuna, who was at Sorabara, in the center of the country, for assistance. Despite having an alliance with Gajabahu, Manabharana had remained neutral in the war up till that point. Then, on the eve of Parākramabāhu's victory, he stepped into the conflict and launched an invasion of Rajarata.

War with Manabharana and Gajabahu

Parākramabāhu sent his Senpathi (commander) Deva to restore order to Polonnaruwa, but he found himself in battle with Manabharana before he could reorganize his troops.The king of Ruhuna kept to his word and delivered Parākramabāhu's forces a crushing blow, driving them from Polonnaruwa. For the Kalinga clan however, the alliance with Manabharana backfired as it was soon made clear that Manabharana intended to keep the city for himself. He put to death many of Gajabahu's senior officials, and imprisoned Gajabahu in a dungeon. Manabharana's mother, Sugala (the niece of Vijayabahu I), and his wives were soon summoned from the south to live in Rajarata. The sacred Tooth Relic and the Alms Bowl Relic, long kept in the south, were now returned under his aegis to the north.
Gajabahu then appealed to Parākramabāhu for assistance, and Parākramabāhu ordered his troops to cut off grain supplies to Polonnaruwa and harass travelers on the roads between Ruhuna and Rajarata. As a result, all the people in the town with King Manabharana became "weakened birds in a cage". With the sporadic attacks from Dakkhinadesan forces slowly grinding down his power in the north, Manabharana left Polonnaruwa to attack a force commanded by Rakkha that had been wreaking havoc in western Rajarata. In his absence Parākramabāhu's forces seized Polonnaruwa, liberated Gajabahu II, and took into their possession the entirety of Manabharana's treasury. The disheartened king of Ruhuna returned to the south with his family and the sacred relics.
Gajabahu, who had been set free, left Polonnaruwa before Parākramabāhu arrived and decided to leave the country by ship. However, an attack by some of Gajabahu's followers on Parākramabāhu's troops reignited hostilities between the two, and Parākramabāhu sent his army to capture Gajabahu. By late 1153, after suffering a number of defeats, Gajabahu realized his capture was imminent, and appealed to the Sangha to intervene. They persuaded Parākramabāhu that the ailing king no longer posed a threat, and that he should be allowed to live out the rest of his days in peace. Manabharana tried to woo the king back to the battle against Parākramabāhu, but Gajabahu refused, having the words "I have made over Rajarata to Parākramabāhu" inscribed on a stone tablet to confirm his abdication in favor of Parākramabāhu.Gajabahu moved to Gantale (Kantalai), where he died in the 22nd year after his coronation as king of Rajarata.

Coronation and defeat of Manabharana

Parākramabāhu's reign was remarkable for the flowering of art forms, as seen in the moonstones of Polonnaruwa.
Parākramabāhu was immediately crowned king of Rajarata, but the war was far from over. Manabharana struck again, sending his armies to the Mahaweli River and attempting to cross into Rajarata via two fords. In the meantime, Narayana, a chieftain based at Anuradhapura, rose in rebellion, and Parākramabāhu's hold in the north was again threatened.
On this occasion Parākramabāhu decided to vanquish Manabharana once and for all; "Not even in Rohana will I permit King Manabharana who is here crushed in war, to find a hold".[49] Rakkha was commanded to hold the fords at the Mahaweli River, whilst Parākramabāhu himself attacked from Dakkhinadesa into Ruhuna. Narayan's rebellion was suppressed by another force, leaving Rakkha, who had successfully held the fords at the Mahaweli River, free to invade from the north.
If Parākramabāhu had hoped for a swift victory, it did not happen. Manabharana defeated Rakkha's army and drove them back to Rajarata. Parākramabāhu found himself facing dissension within his own ranks and the defeat of his forces in Malaya; Manabharana even recaptured Polonnaruwa and with it most of Rajarata.[50] Despite this Parākramabāhu persevered with the offensive, withdrawing from his southern campaign and concentrating his forces in the north. Manabharana once again found himself besieged in Polonnaruwa. Both sides were exhausted by the incessant warfare of the preceding years, and Manabharana eventually fled the city for Ruhuna. His forces were overtaken at the Mahaweli River by Parākramabāhu's army and annihilated; the king returned to the south in time to pass away from a combination of disease and exhaustion.[51]
Parākramabāhu was finally the unquestioned lord of the entire island of Sri Lanka, even though it had been at the cost of around five years of incessant warfare. In years to come the king himself was to regard this war as one of the most significant events of his reign, mentioning it in several of his edicts carved on stone, such as the one near Devangala.[52] He celebrated by summoning Manabharana's son to Polonnaruwa and concluding a peace with him, followed by a lavish coronation ceremony.[53]
Timeline of accession of Parākramabāhu to the throne
Kingdom Monarch
1090 1100 1110 1120 1130 1140 1150 1160 1170 1180
Rajarata
Vikramabāhu I Gajabāhu II
Dakkhinadesa Vijayabāhu I Manabharana Kitti Sri Megha Parākramabāhu I
Ruhuna
Sri Vallabha & Kitti Sri Megha Sri Vallabha Manabharana

Reign

Parākramabāhu established himself at Polonnaruwa (Pulatthinagara as mentioned in the Chulavamsa) from 1153 onwards and ruled over the entirety of Sri Lanka for the next 33 years. During this time he undertook much of the work he is best remembered for, most significantly in the areas of religious reform, construction, and war.

Religious reform

The Vatadage, Parākramabāhu's Temple of the Tooth Relic
During the reign of king Vatta Gamini Abhaya (king Valagamba) (104 BCE, 88 BCE – 76 BCE), the sangha (Buddhist monks) of the country had divided into three rival orders—the Theravada order of the Maha Vihara, the order of the Abhayagiri Vihara and the order of the Dhakkina Vihara. One of Parākramabāhu's ambitions was the reunification of these groups into one order, as had existed at the time of King Dutugemunu. Furthermore, much of the sangha had become corrupted over the years, with monks marrying and having children, and in many cases behaving much like laymen in their pursuit of worldly gain.
Around 1165, a council was called in Polonnaruwa to discuss the reform of the sangha. Parākramabāhu's chief agent in the enterprise was to be the Mahathera Kasyapa, an experienced monk who "knew the Tipitaka and was exceedingly well versed in the Vinaya". There was immense resistance to Parākramabāhu's efforts, in particular from the Abhayagiri sect who now adhered to the heretical Vetullavada tradition, and whom the king found to be particularly corrupt. Many monks moved abroad rather than participate in the reforms, whilst others simply abandoned the cloth and returned to lay life. In this they may well have been encouraged by Parākramabāhu, who seems to have felt that the "purification" of the priestly orders depended as much on the expulsion and exclusion of the corrupt as it did on the rewarding and encouragement of the orthodox.There are several references to individuals being given "lucrative positions" in order to keep them out of their respective Orders. Finally, the king summoned the leaders of the sangha on the island once a year, centering the visit on a ritual on the banks of the Mahaweli river—possibly a practical means of keeping up-to-date with their progress and their standards.
Following the crushing of Queen Sugala's rebellion in 1157, Parākramabāhu had the Tooth Relic and the Alms Bowl Relic brought to Polonnaruwa; the former was placed inside a jewel in the Temple of the Tooth Relic in Polonnaruwa.[59] Such constructions became a hallmark of Parākramabāhu's reign; his buildings for the sangha are described in great detail in the Culavamsa and comprise an impressive body of work, often accompanied with inscriptions stating his intentions and accomplishments, such as at the Gal Vihare.

Construction

The Parakrama Samudra (Sea of Parakarama), the largest irrigation tank built by Parakramabahu.
Parākramabāhu's constructions work made up a significant chunk of the material history of Sri Lanka. Much of the remnants of Polonnaruwa date from his reign, as well as sites in western and south-eastern Sri Lanka. One of Parākramabāhu's first projects was the restoration of Anuradhapura, the ancient capital of Sri Lankan Kings which had been utterly destroyed by the Chola army, including the restoration of Thuparamaya (which had been lost to the jungle), Mihintale, and Ruwanweliseya. Then, having founded an administrative center called Parakramapura, he turned his attention on Polonnaruwa. Unsurprisingly, due to the near-yearly sieges, the city had suffered and had reached a state that nothing but its name remained. It is perhaps because of this that so little of pre-12th century Polonnaruwa remains today.
The king initially divided the city into four districts or suburbs, each marked with its own alms-giving house for the clergy, containing "vessels of bronze, cushions and pillows, mats, carpets and bedsteads". He ordered the construction of hospitals, which he visited on several occasions. He also expanded Polonnaruwa's city walls, constructing an elaborate three-walled complex featuring turrets for archers and fourteen gates. None of which has survived till modern times. Beyond the city precinct it is believed he constructed or renovated three smaller townships, in addition to Parakramapura - Rajavesi Bhujanga, Raja Kulantaka (Sinhapura), and Vijitapura. Extensive gardens were also laid down around Polonnaruwa, featuring ponds and bathing-pools, one of which, the Twin Pools, survives till this date. One such garden, the 'Island Garden', extended into the middle of Thupa Vewa ('Vewa' meaning 'tank' or 'reservoir' in Sinhala) on a promontory.
Much else survives, such as the Gal Vihare, or "Stone Shrine", near Polonnaruwa. The Culavamsa attributes the monument in its entirety to Parākramabāhu, though in truth his contribution may have been extensive refurbishment. The Vatadage, or "Circular Temple", was constructed around 1157 following the suppression of Queen Sugala's revolt in Ruhuna, to host the recently recovered Tooth Relic and Alms Bowl Relic. The Lankatilaka Temple, Alahena Pirivena, Jetavanaramaya and the Demala Maha Cetiya were also constructed in his reign. At the center of Polonnaruwa Parākramabāhu expanded and beatified the royal palace. Little of it remains today, but its soaring walls hint at the grand scale of the king's vision.


Gal Vihare ('The Stone Shrine') features three statues of the Buddha in three different poses carved from the same large rock.
Parākramabāhu also continued his program of hydraulic works begun in Dakkhinadesa, including the renovation and reconstruction of reservoirs and canals wrecked during the Chola invasion. Inscriptions detailing his work can be found at the Maha Vewa near Uruwela, Padaviya Vewa and Panda Vewa in North-Western Province. A column discovered at the bottom of the Padaviya Vewa in the 19th century included the inscription "Made for the benefit of the whole world by the prosperous Sri Parakrama-Bahu, born at Sinhapura, minded of what was fit to be done". Though the Culavamsa attributes the construction of various tanks to him, it has been suggested that much of Parākramabāhu's work was renovation, and indeed that some of the projects undertaken by his successor Nissanka Malla may have been attributed to him.In all Parākramabāhu is said to have restored or constructed over 216 reservoirs and tanks.
Despite their magnificence, Parākramabāhu's works exacted a heavy toll on the populace and the treasury. For much of the work in Anuradhapura he utilized Tamil prisoners of war seized during the Pandyan War. Nevertheless taxation and rajakariya (a feudal system in which work was owed to the king by commoners) contributed in large part to the projects. An interesting indicator of the burden of taxation is the disappearance of larger gold coins towards the end of Parākramabāhu's reign.

Military campaigns

Parākramabāhu's reign is memorable for two major campaigns—in the south of India as part of a Pandyan war of succession, and a punitive strike against the kings of Ramanna (Myanmar) for various perceived insults to Sri Lanka. He also had to suppress revolts against him in Ruhuna on several occasions.

Revolts

In 1156, Queen Sugala of Ruhuna, the mother of Manabharana of Ruhuna who had fought Parākramabāhu bitterly for the throne, joined a revolt against Parākramabāhu. The situation turned dire when a group of mercenaries took the opportunity afforded by the absence of Parākramabāhu's army, and his most formidable general Rakkha, to revolt in 1157.
Whilst the insurrection continued in the north, Parākramabāhu dispatched another general, Bhuta, to assist Rakkha, who had become bogged down in conflict in Ruhuna. The Culavamsa mentions the soldiers in Bhuta's army wearing "doublets made of buffalo hide" to protect themselves against arrows. Despite reinforcements Rakkha and Bhuta appear to have become stuck in a war of attrition not unlike Parākramabāhu's wars for the throne. Certainly it outlasted a simultaneous rebellion in the north, which after three months of fighting ended after an engagement in the vicinity of Dik Vewa. The only major victory of this early phase of the rebellion in Ruhuna was the seizure of the Sacred Relics in late 1157.
The tide finally turned when reinforcements arrived in Ruhuna, probably in early 1158, through Sabaragamuwa, and from the western coast. Mahagama was seized and Queen Sugala captured. The forces of Parākramabāhu then inflicted something of a bloodbath on the nobility and citizens of Ruhuna, seemingly with the king's approval. "They caused many foes to whom severity was due, to be brought before them, and at villages and market-towns they had numbers of stakes set up on which they impaled many hundreds of the enemy. Many other foes they had hanged on the gallows and burnt and showed forth in every way the majesty of Parākramabāhu". It may well have been the case that the king was tired of the constant animosity directed at him by the kingdom. The brutal suppression of the rebellion ensured that, apart from a brief insurrection in 1160, Ruhuna remained quiet for the rest of his reign. The fate of Queen Sugala is not recorded. The only other rebellion of Parākramabāhu's reign occurred in the region of modern Mantota in from 1168–1169.

War with Bagan, 1164–1165

Bagan, the capital of the kingdom against which Parākramabāhu launched an invasion in 1164
The kingdom of Bagan (Arimaddhanapura) in what is now Myanmar, and Sri Lanka had enjoyed a cordial relationship based on trade and a common faith (Theravada Buddhism) for a long time. Bagan emerged as a power in the 9th century and by the 11th century its capital city, Arimaddhanapura, was a centre of Buddhist learning.
However with the accession of Narathu (1160–1165), the grandson of Alaung Sithu, to the throne, the situation changed dramatically. Initially he deprived the envoys of the King of Sri Lanka the maintenance they were previously granted. He also issued an order prohibiting the sale of elephants to foreign countries and did away with the age old custom of presenting an elephant to every foreign vessel which brought him gifts. He later had the Sri Lankan envoys imprisoned and tortured, and had all their possessions, including their money, their elephants and their vessels confiscated. He later summoned them and declared,
"Henceforth no vessel from the Sinhala country shall be sent to my kingdom. Give us now in writing the declaration that if [messengers] from there are again sent to us, in case we should slay the envoys who have come here, no blame of any kind will attach to us. If ye give not the declaration ye shall not have permission to return home."
It is not certain whether this was part of a particular moved against Sri Lankan merchants, or a general closing down of Baganese borders. Whatever the reason, Parākramabāhu was incensed. Assembling a fleet at Pallavavanka, he dispatched to Bagan a formidable force. The size of the army is not known, but it is recorded as containing a year's supply of grains, specially modified arrows, and Sri Lanka's fearsome war elephants. Despite setbacks en route, including the sinking of one ship and the loss of a few others, the army arrived at the city of Kusumiya (modern Pathein) on the banks of the Bago river, and captured it. Thereafter, the armies captured several other cities, including Arimaddhanapura, killed Narathu, and restored relations between the two countries to normal.
The account of the campaign in Bagan is possibly exaggerated, particularly as Burmese chronicles do not contain any information on a massive invasion from Lanka. Nevertheless there is evidence to indicate that there was some form of campaign undertaken, and that it was a successful one. The story of a Sri Lankan invasion that dethroned Narathu is known in Myanmar. Furthermore, contemporary inscriptions from Devanagala mentions the awarding of land to the general Kitti Nagaragiri for his leadership in a campaign to 'Ramanna', naming the king of Bagan as 'Bhuvanaditta', a possible Lankanization of 'Narathu'.

Pandya War, 1167–1183



Parākramabāhu's alliance with Parakrama Pandya contributed in significantly shrinking the Chola empire by 1120
In 1167 the Pandyan king Parakrama appealed to his namesake in Lanka for assistance against an alliance of his rival Kulasekhara Pandya and the Cholas. Such an appeal was not unusual, as the Pandya had long found allies in the Sinhalese against the Cholas, and their nobility had spent some time in exile at the court of Mahinda IV (956–972) after the invasion of their land by Parantaka Chola II.
On this occasion however the Sri Lankan help came too late. By the time Parākramabāhu's general Lankapura arrived in Pandya Nadu, Kulasekhara had captured the capital Madhurai and killed King Parakrama's wife and children. His son Prince Virapandu however had managed to escape. Rather than head for Madhurai, Lankapura landed in the vicinity of Ramanathapuram and captured the city of Rameswaram, which remained in Sri Lankan hands for the next thirty years or so. Here they built a fortress called Parakramapura. In this early phase of the war they fought Kulasekhara on several occasions, eventually laying siege to him in Madhurai and seizing the city. Virapandu was restored to power, but apparently only as a puppet, as the Sri Lankan army under Lankapura remained in Madhurai and continued to engage the Chola across south India.
The Culavamsa dedicates much of chapter LXXVII to a description of the ensuing war between Lankapura and Kulasekhara, who apparently fought on with assistance from the Cheras. The Lankan effort was so successful that Parākramabāhu appears to have established a near-permanent authority over Pandya Nadu (the chapter is entitled Conquest of the Pandya Kingdom), even establishing a city called Panduvijaya in commemoration of the conquest. However the account ends abruptly. No mention is made of Lankapura's return to Sri Lanka, nor of whether Virapandu III succeeded on hanging on to power.
The remainder of the story can be gleaned from inscriptions in south India and by inference. The Sinhala army is known to have scored a number of victories over the Chola army. However, the Pallavarayanpettai inscription indicates that Lankapura was defeated in 1171 and his head was nailed to the gates of Madhurai by Rajadhiraja Chola II (1163–1178).Nevertheless the forces of Parākramabāhu appear to have remained in Pandya Nadu, scoring victories over Rajadhiraja II in 1176. It was not until 1181 when Virapandu III was defeated that the Sri Lankan army withdrew from Pandya Nadu, retaining only the area around Rameshwaram.

Polonnaruwa


Polonnaruwa
—  Town  —

Royal Palace
Nickname(s): පුලතිසිපුරය
Polonnaruwa is located in Sri Lanka
Polonnaruwa
 
Location in Sri Lanka

Country Sri Lanka
Province North Central Province
Polonnaruwa Before 1070 AD
Time zone
Sri Lanka Standard Time Zone (UTC+5:30)
Ancient City of Polonnaruwa


Lord Buddha entering Parinibbana at the Gal Vihara in Polonnaruwa. The Gal Viharaya in Polonnaruwa has four large images of the Buddha carved out of a single rock.









Inscription history


Polonnaruwa (Sinhalese - පොළොන්නරුව or පුලස්තිපුර Tamil - பொலநறுவை or புளத்தி நகரம் as called by Cholas) is a town. It's the main town of Polonnaruwa District in the North Central Province, Sri Lanka. Kaduruwela area is the Polonnaruwa New Town and the other part of Polonnaruwa, remains as the royal ancient city of polonnaru kingdom.
The second most ancient of Sri Lanka's kingdoms, Polonnaruwa was first declared the capital city by King Vijayabahu I, who defeated the Chola invaders in 1070 to reunite the country once more under a local leader.
The Ancient City of Polonnaruwa has been declared a World Heritage Site.

History

While Vijayabahu's victory and shifting of kingdoms to the more strategic Polonnaruwa is considered significant, the real "Hero of Polonnaruwa" of the history books is actually Parakramabahu I. It was his reign that is considered the Golden Age of Polonnaruwa, when trade and agriculture flourished under the patronage of the king, who was so adamant that no drop of water falling from the heavens was to be wasted, and each was to be used toward the development of the land; hence, irrigation systems that are far superior to those of the Anuradhapura Age were constructed during Parakramabahu's reign, systems which to this day supply the water necessary for paddy cultivation during the scorching dry season in the east of the country. The greatest of these systems, is the Parakrama Samudraya or the Sea of Parakrama. It is of such a width that it is impossible to stand upon one shore and view the other side, and it encircles the main city like a ribbon, being both a moat against intruders and the lifeline of the people in times of peace. The Kingdom of Polonnaruwa was completely self-sufficient during King Parakramabahu's reign.
With the exception of his immediate successor, Nissankamalla I, all other monarchs of Polonnaruwa were slightly weak-willed and rather prone to picking fights within their own court. They also went on to form more intimate matrimonial alliances with stronger South Indian kingdoms, until these matrimonial links superseded the local royal lineage and gave rise to the Kalinga invasion by King Kalinga Magha in 1214 and the eventual passing of power into the hands of a Pandyan King following the Arya Chakrawarthi invasion of Sri Lanka in 1284. The capital was then moved to Dambadeniya.
The city of Polonnaruwa was also called Jananathamangalam during the short Chola reign.

Present day

Today the ancient city of Polonnaruwa remains one of the best planned archaeological relic sites in the country, standing testimony to the discipline and greatness of the Kingdom's first rulers. Its beauty was also used as a backdrop to filmed scenes for the Duran Duran music video Save a Prayer in 1982. The ancient city of Polonnaruwa has been declared a World Heritage site by UNESCO.
Near the ancient city, there is a small town with several hotels (especially for tourists) and some glossy shops, and places to fulfill day-to-day needs. There are government institutions in a newly built area called “new town,” about 6 km away from the town and the main road. The largest school in the district, Polonnaruwa Royal Central College is situated at new town.
Polonnaruwa is the second largest city in North Central Province, but it is known as one of the cleanest and more beautiful cities in the country. The green environment, amazing ancient constructions, Parakrama Samudraya (a huge lake built in 1200), and attractive tourist hotels and hospitable people, attract tourists.

Climate

One recent scientific observation is that of its climate changes: historically, Polonnaruwa had a tropical climate most of the year, although it was occasionally chilly in December and January. But in recent years the rain and chilliness has been increased noticeably. Although this is surprising to some people, it is more enjoyable for tourists. However, there is a setback, as paddy field farmers can suffer when there is too much rain.

Picture gallery

Polonnaruwa Vatadage



One of the four doorways leading to the Vatadage.
The Polonnaruwa Vatadage (Sinhala: පොළොන්නරුව වටදාගේ) is an ancient structure dating back to the Polonnaruwa period of Sri Lanka. It is believed to have been built during the reign of Parakramabahu I to hold the tooth relic of the Buddha, or during the reign of Nissanka Malla to hold the alms bowl used by the Buddha. Both these venerated relics would have given the structure a great significance and importance at the time. Located within the ancient city of Polonnaruwa, it is the best preserved example of a vatadage in the country, and has been described as the "ultimate development" of this type of architecture. Abandoned for several centuries, excavation work at the Polonnaruwa Vatadage began in 1903.
Built for the protection of a small stupa, the structure has two stone platforms decorated with elaborate stone carvings. The lower platform is entered through a single entrance facing the north, while the second platform can be accessed through four doorways facing the four cardinal points. The upper platform, surrounded by a brick wall, contains the stupa. Four Buddha statues are seated around it, each facing one of the entrances. Three concentric rows of stone columns had also been positioned here, presumably to support a wooden roof. The entire structure is decorated with stone carvings. Some of the carvings at the Polonnaruwa Vatadage, such as its sandakada pahanas, are considered to be the best examples of such architectural features. Although some archaeologists have suggested that it also had a wooden roof, this theory is disputed by others.

History

The Polonnaruwa Vatadage as seen today.
Theories vary among archaeologists and historians regarding who built the Polonnaruwa Vatadage, and when. One such theory suggests that it was built by Parakramabahu I during his reign in the 12th century. The chronicle Chulavamsa mentions that he built a circular stone shrine to hold the tooth relic of the Buddha. Archaeologist H. C. P. Bell believed that this shrine is the Polonnaruwa Vatadage. This is contradicted by several ancient sources of the island, including Rajavaliya and Poojavaliya, which mention that it was built by Nissanka Malla. However, according to the studies of Arthur Maurice Hocart, Nissanka Malla only renovated an already existing building and made some additions such as the entrance and outer porch. Wilhelm Geiger, who translated the ancient chronicle Mahavamsa, and historian H. W. Codrington both agree with this theory. A nearby stone inscription set by Nissanka Malla lists the Vatadage among his constructions. In this, he claims that it was built by one of his generals under his own direction.
A unique feature of ancient Buddhist architecture, vatadages were built for the protection of small stupas that had an important relic enshrined in them or were built on hallowed ground. If the Polonnaruwa Vatadage is the shrine built by Parakramabahu I, the tooth relic of the Buddha would have been enshrined within it.Another possibility is that the alms bowl used by the Buddha may have been enshrined here. Both these relics were important objects in ancient Sri Lankan culture, and would have made the Polonnaruwa Vatadage one of the most significant and venerated buildings in the country.
The Kingdom of Polonnaruwa ended in 1215 with an invasion from South India.The Polonnaruwa Vatadage appears to have been abandoned with the fall of the kingdom, and there is no mention of it in the chronicles in later periods. It was not until 1903 that the Department of Archaeology began excavation work at the site under Bell, who noted that it was "only a mound of earth" at the time.

Location and appearance


Layout of the Polonnaruwa Vatadage, with the outer circle indicating the lower platform and the second circle indicating the upper platform. The stupa, surrounded by four statues, as well as three concentric rows of stone columns are located in the upper platform which is accessed through four entrances.
The Polonnaruwa Vatadage is located in a quadrangular area known as the Dalada Maluva in the ancient city of Polonnaruwa. The Dalada Maluva contains some of the oldest and most sacred monuments of the city.The Polonnaruwa Vatadage, which occupies most of the south western area of it, is a prominent structure among them.It is the best preserved example of a Vatadage in the country, and is somewhat similar in design to those belonging to the Anuradhapura period, especially Thuparamaya and Lankaramaya.
The building has been built around a small stupa with a base diameter of 27 feet 8 inches (8.43 m). The Vatadage has two levels; the lower platform and the raised upper platform that contains the stupa. The upper platform is 80 feet (24 m) in diameter, and the lower one 120 feet (37 m). The lower platform is 4 feet 3 inches (1.30 m) from ground level, and the upper platform is 5 feet 3 inches (1.60 m) from the lower.
The circular lower platform is entered through a single entrance on the northern side. Four elaborately constructed doorways lead from it to the upper platform, which is surrounded by a brick wall on its edge. These entrances are oriented to the four cardinal directions. The center of this platform is occupied by the stupa, which has four Buddha statues seated around it, each facing one of the entrances. Each of these statues are 5 feet (1.5 m) high, and are seated on stone seats with a height of 2 feet 10 inches (0.86 m) each. Three concentric rows of stone columns had existed on the upper platform. Two of these rows, of which nothing remain, were within the brick wall, while the third row is just outside it. The inner row had consisted of 16 columns, the middle row of 20, and the outer row of 32. The existing stone columns of the outer ring are about 8 feet (2.4 m) in height.

Architecture and stonemasonry

A sandakada pahana at one of the entrances.
Employing citizens in construction and repairing works was done in ancient Sri Lanka as a form of tax payment. Such labour may also have been used in the construction of the Polonnaruwa Vatadage. However, the quality of the works indicate that most of the task may have been carried out by skilled craftsmen. Architecture of vatadage type structures was at its peak during the Polonnaruwa period, and the Polonnaruwa Vatadage is considered to be its "ultimate development". Some of the most striking features of the structure are its elaborate stone carvings. The sandakada pahana (moonstone) at the northern entrance and the two muragalas (guard stone) at the eastern entrance are considered to be the best examples of such architectural features belonging to the Polonnaruwa period. These decorational elements were commonly placed at entrances to monastic buildings of ancient Sri Lanka, and historians believe that sandakada pahanas depict the cycle of Saṃsāra in Buddhism. According to Bell, the carvings on the sides of the upper platform are "unrivalled, whether at Anuradhapura or Polonnaruwa, and probably in any other Buddhist shrine of Ceylon".
The straight, symmetrical stone columns found in the Polonnaruwa Vatadage are quite similar to those seen in buildings of the Anuradhapura period. The foot of each column is carved in the shape of a lotus flower.Archaeologist Senarath Paranavithana has suggested that these stone columns had supported a wooden roof. This is widely accepted, and nails and roof tiles found in excavations seem to support this.However, another theory is that the Vatadage did not have a roof, and the stone columns were used to hang lamps, curtains or Buddhist symbols.


One of the Buddha statues on the upper platform, positioned next to the stupa. The brick wall is visible on the background.
The brick wall around the platform is in a considerably preserved state as well, although parts of it have broken off. It is quite thick—2 feet 6 inches (0.76 m)—and was presumably constructed to protect the stupa from the sides. There is evidence that inner surface of the wall had been adorned with paintings. Its lower portion is covered by stone panels with carvings of a flower design. Below the wall, the side of the upper platform itself is decorated with carvings, as is the side of the lower platform.
The four Buddha statues, which depict the Dhyana mudra, are also carved from solid rock. Two of them are more or less intact today, while only parts of the other two remain. The stupa in the middle appears to have been of the Bubbulakara (bubble shaped) design commonly seen in Sri Lanka. The upper part has been destroyed, and only the dome shaped lower part now remains. However, it has only two Pesavas (the rings found at the base of stupas) rather than the traditional three.

Gal Vihara


Gal Vihara (Uttararama)
උත්තරාරාමය කළු ගල නෙලා.jpg

The images of Gal Vihara, carved on a single, large rock face.
Information
Founded 12th century
Founder(s) Parakramabahu I
Country Sri Lanka
Dharma Wheel.svg Portal:Buddhism

The Gal Vihara (Sinhala: ගල් විහාරය), also known as Gal Viharaya, is a rock temple of the Buddha situated in the ancient city of Polonnaruwa in north-central Sri Lanka. It was constructed in the 12th century by Parakramabahu I. The central feature of the shrine are four images of the Buddha, which have been carved into the face of a large granite rock. The images consist of a large seated figure, another, smaller seated figure inside an artificial cavern, and standing figure and a reclining figure. These are considered to be some of the best examples of ancient Sinhalese sculpting and carving arts, and have made the Gal Vihara one of the most visited monuments in Polonnaruwa.
The images of Gal Vihara follow a different style than the images of the previous Anuradhapura period, and show some significant differences. The identity of the standing image is subject to a certain amount of dispute among historians and archaeologists, some of whom argue that it depicts the monk Ananda rather than the Buddha. Each of the images have been carved in a way that uses a maximum possible area of the rock, and their heights seem to have been decided based on the height of the rock itself. Each statue appears to have had its own image house, as indicated by the remains of brick walls at the site. The Gal Vihara, or Uttararama as it was known during that period, was where Parakramabahu I held a congregation of monks to purify the Buddhist priesthood, and later drew up a code of conduct for them. This code of conduct has been recorded in an inscription on the same rock face containing the images of the Buddha.

Uttararama

The Gal Vihara, or rock temple (so named after the large rock face where the four images of the Buddha were carved), was originally named Uttararama (the northern monastery), in the city of Polonnaruwa, and according to the chronicle Chulavamsa was one of the more prominent of the 100 temples built throughout ancient Sri Lanka by King Parakramabahu I (1153 – 1186). The chronicle mentions that Parakramabahu I had his workmen build three caves in the rock after finishing the temple: the Vijjadhara Guha (cave of the spirits of knowledge), the Nissina Patima Lena (cave of the sitting image), and the Nipanna Patima Guha (cave of the sleeping image). Although they are described as "caves", only the Vijjadhara Guha is a cave, while the others were image houses similar to the Thivanka and Lankathilaka, with their walls connected to the rock face. These walls, which were evidently decorated with frescoes, have since been destroyed and only their bases now remain,
By the time Parakramabahu I ascended to the throne, the Buddhist priesthood in the country was divided into three fraternities: Abhayagiri, Jetavana and Mahavihara. He held a congregation of monks to reconcile the three fraternities, and "purified the order" by expelling corrupt monks. With the help of the elders of each fraternity, he later drew up a katikavata (code of conduct) for Buddhist monks and recorded this in an inscription at Uttararama. The area in front of the images, which now resembles a terrace, is believed to be the location of the assembly hall where this congregation was held. The inscription recording the code has been carved on the flat, polished rock face between the Vijjadhara Guha and the standing image. The Uttararama was abandoned during the fall of the Polonnaruwa Kingdom. It had functioned as an educational establishment from its inception to its abandonment, being a centre of Buddhist education in the country.

Images


The seated image, which depicts the dhyana mudra, shows signs of Mahayana influence.
The main feature of Gal Vihara is the four images of the Buddha that have been carved on a single, large granite rock face, considered to be among the best examples of the rock carving and sculpting arts of the ancient Sinhalese. The rock has been cut almost 15 feet (4.6 m) deep to create a rock face to accommodate the statues, and is the only example in the country where a natural rock has been excavated to this extent for such a purpose. The images position the temple alongside some of the most significant monuments which survive from the ancient kingdoms of Sri Lanka, and make it the most celebrated and visited temple in Polonnaruwa. Three of the images are quite large; the smallest of them is more than 15 feet (4.6 m) tall, and the largest is more than 46 feet (14 m) long. However, the fourth image is just over 4 feet (1.2 m) and located inside an artificial cavern carved into the rock. A seated image is on the left side of the rock, and to the right is a cavern and another seated image. Further to the right are a standing image, and then a reclining image. Unlike other statues of the same period (such as the one found in the Lankathilaka image house), they are all well preserved, and therefore provide a good indication about less well-preserved examples. The size of each image seems to have been decided based on the height of the rock at that point, so that the maximum possible area could be used for it. According to the archaeologist Senarath Paranavithana, the images were evidently coated in gold in their early years. The style of the images differs somewhat from that of statues from the earlier Anuradhapura period. The most notable changes are the broader forehead in the Gal Vihara images. The robe is carved with two parallel lines, rather than the single line seen in the Anuradhapura period, influenced by the Amaravati school of art.

Seated image

The large seated image is 15 feet 2.5 inches (4.636 m) tall, and depicts the dhyana mudra. The seat was carved in the shape of a lotus flower, its base decorated with carvings of flowers and lions. The statue sits on a carved throne, decorated with makara images, with four small images of the Buddha (identical to the larger image) carved inside small chambers. This is an unusual feature in ancient Sinhalese sculpture, and is presumably the result of Mahayana influence.

Vidyhadhara Guha

Vidyhadhara Guha
A small statue only 4 feet 7 inches (1.40 m) in height, but similar in appearance to its larger neighbour, is located inside the artificial cave named the Vidyhadhara Guha. The cave was created by carving 4.5 feet (1.4 m) into the rock, leaving four square shafted stone columns at the sides of the 26-foot (7.9 m) wide and 12-foot-9-inch (3.89 m) high opening. The base of the lotus shaped seat of the Buddha image here is also decorated with designs of lions. A throne and a parasol are carved behind it, more elaborate in design than the larger image. A prabhamandala, or halo, is carved behind the head of the statue, which rests between two four-armed deities. According to archaeologist H. C. P. Bell, the god on the right is Brahma, and the god on the left is Vishnu. The walls of the cave were once decorated with frescoes, traces of which remain in the two corners at the back of the cave.

Standing image


The standing image depicts an unusual mudra
The standing image is the focus of much discussion among historians and archaeologists, since there is a general belief that it is not a statue of the Buddha. The image is 22 feet 9 inches (6.93 m) tall, and stands on a low pedestal shaped like a lotus. It leans back in a relaxed manner, its arms folded across its chest. The statue's face carries a sorrowful expression and the reclining image—which depicts the Buddha's parinirvana—lies next to it, which has led some to believe that it is the monk Ānanda, who is lamenting the Buddha's demise at his deathbed. The remains of the walls, however, indicate that the two images were once in separate chambers, rather than next to each other. Paranavithana believes that the statue is of the Buddha, which depicts the para dukkha dukkhitha mudra or "sorrow for the sorrow of others". However, this is a rarely used gesture in Sinhalese sculpture, and is seen at only a few locations in the country. Another possibility is that the image shows the Buddha during his second week after enlightenment, which he spent gazing at the Bodhi Tree in gratitude for providing him shelter. The image is not mentioned in the Chulavamsa, which only mentions the other three. While this may be an indication that it is not an image of the Buddha, it is also possible that it may have been made at an earlier period than the others.

Reclining image

The reclining image, which depicts the Buddha's parinirvana, is the largest in Gal Vihara.
At 46 feet 4 inches (14.12 m) in length, the reclining image is the largest statue in Gal Vihara, and also one of the largest sculptures in Southeast Asia. It depicts the parinirvana of the Buddha, who is lying on his right side with the right arm supporting the head on a bolster, while the left arm lies along the body and thigh. The palm of the right hand and the soles of the feet have a single lotus flower carved on them. Charles Godakumbure, a former Commissioner of the Archaeological Department of Sri Lanka, has stated that the bolster upon which the Buddha rests his head has been so well carved that it looks like a cotton stuffed pillow rather than one carved from rock. The upper foot—the left foot of the image—is slightly withdrawn to indicate that the image depicts that the Buddha has attained parinirvana, and is not merely lying down. Unlike the other images, the reclining image does not have a decorated pedestal, and lies on levelled bare rock. On the wall behind the image, several sockets have been carved into the rock, as well as the remains of two stone columns, suggesting that its now missing image house had a wooden roof.